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8/26/2023 0 Comments White el caminoPre-order El Camino (10th Anniversary Deluxe Edition) here and watch the new trailer here.Įl Camino was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. The Black Keys won three awards at the 55 th annual GRAMMY Awards for El Camino – Best Rock Performance, Best Rock Song, and Best Rock Album-among other worldwide accolades. The Super Dexlue version will also be available digitally (full details below). A three-LP edition, which include the remastered album and the live recording, will also be available, as well as a special fan club version of the three-LP set. ![]() El Camino (10th Anniversary Deluxe Edition) is available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased Live in Portland, ME concert recording, a BBC Radio 1 Zane Lowe session from 2012, a 2011 Electro-Vox session, an extensive photo book, a limited-edition poster and lithograph, and a “new car scent” air freshener. The Black Keys will released a special tenth anniversary edition of their landmark seventh studio album El Camino via Nonesuch Records on November 5, 2021. The Black Keys exclusive white 3-LP vinylĮxtremely Limited Availability - ONLY 7,500 units in circulation A shame on both counts.El Camino 10th Anniversary Deluxe Edition Whatever that “something” is, it’s not driving this story. Paul explained at the the premiere that the film was made because Gilligan had something more to say. “El Camino” isn’t horrible, but it’s not commendable either, and given the legacy of “Breaking Bad,” mildly entertaining isn’t good enough. Plagued by flashbacks and terrified by what comes next, the wanted fugitive Pinkman spends a great deal of time hiding, fretting and bumping into minor characters from the series.įans may get a kick out of revisiting old haunts and reconnecting with familiar faces, at least one of whom made the jump from “Breaking Bad” to the brilliant spinoff, “Better Call Saul.” However, there aren’t enough of those reunions, at least with key figures, to gird a strong, compelling tale that connects past with present. What’s left are the trials of the hapless former drug dealer and burner who has no one of import to turn to for help. Then again, it wasn’t a great decision to tack a new ending onto a powerful saga that paired working-class desperation with American ingenuity. Maybe it’s not fair to expect such brilliance. Nothing and no one lights up the screen as Paul and Cranston did during the show’s five-season run. ![]() That critical dynamic is absent in “El Camino,” which takes place following White’s death (he was killed freeing Pinkman from the white supremacist compound, but not before mowing down his captors). White and Pinkman were an ambivalent team, amplifying the worst and the best in each other, the older mentor’s calculated wickedness playing against his guileless protégé’s compassion. ![]() The film opens as Pinkman puts the pedal to the metal, busting open the gates of the white supremacist compound where he was imprisoned, barreling down a dirt road into the wide open desert. ![]() Unfortunately, “El Camino: A Breaking Bad Movie,” which premieres Friday on Netflix and will also screen this weekend in select theaters, picks up right where the series left off, challenging our fondest memories of White and Pinkman - hazmat suits come to mind - with an extended narrative in which the enigmatic half of the odd couple is gone. “Breaking Bad’s” finale was so damn good it seemed there was nothing left to do - unless it was making a stellar prequel called “ Better Call Saul.” And that’s where Gilligan and the diminished cast should have walked away, just like the series’ nonplussed hitman, Mike Ehrmantraut ( Jonathan Banks). But really, who among us, once dazzled by Heisenberg’s schemes, doesn’t miss Cranston tromping through scrub brush in his tighty whities or Paul smoking a bowl in a worn knit hat? There is no discernible reason the series should be followed by a film, other than placating series creator Vince Gilligan and fans who miss the world of Walter White (Bryan Cranston) and Jesse Pinkman (Aaron Paul). Most everyone who mattered in AMC’s unsurpassed drama “Breaking Bad” had been killed off by the 2013 finale - a closing episode that still stands as one of TV’s best. |
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